I was just looking through my Netflix ratings, to see what movies I might suggest this week, and I discovered something. I have a lot of movies with 5-star ratings that are widely considered to be terrible movies.
Maybe I have horrible taste in movies!
Or... maybe I see diamonds in the rough... You decide.
5 embarrassing movies I have rated (a perfect) 5 stars:
1. She's out of control (1989)
Yes, this movie stars Mr. Tony Danza. Not only is this movie the PERFECT makeover movie, but it is also gloriously, iconically late-80's. The 80's are back, right? Well, even if they aren't, this movie is awesome. It will make you want to wear a side ponytail and watch old reruns of Who's the Boss.
2. Jumanji (1995)
I re-watched this movie for the 10,000th time about a month ago, and it totally stands the test of time. Fantastical, silly, sad, Robin-Williams-y. It's perfect. It might be Bonnie Hunt's best movie ever. And a really fantastic small-ish role for the always wonderful David Allen Grier.
3. Amistad (1997)
Steven Spielberg's notorious flop! But seriously, screw you guys. This movie is SAD and really good. It's all epic and swashbuckly. Anthony Hopkins is awesome. There's nothing wrong with this movie. I think people just randomly hate certain movies set at sea. I can't figure out why. I like them all, even that Gina Davis one that was really shitty.
4. Police Academy 4: Citizens on Patrol (1987)
This is, by far, the best Police Academy movie. Putting all the loveable screwup cops in charge of a citizen's police force is pure comic gold. This movie has no idea what decade it takes place in. It also has twice the slapstick of the previous three movies, and a hefty scoop of subtle racism. Scoring a perfect 0% on Rotten Tomatoes, everyone should watch this movie at least once.
5. Career Opportunities (1991)
For some reason, this is a really popular movie in my family. I think we probably recorded it off of TV at some point, and we watched it repeatedly. There's something about being locked in a Target alone overnight that really appealed to me both at age 13, and age 34. Plus, you get to see Jennifer Connelly before she got scary-skinny. I also have a soft spot in my heart for Frank Whaley. Whatever happened to him?
So, maybe check these movies out! Or, just feel sad for me.
Armed with an unlimited pass, Peggy attempts to see every movie playing at the Seattle Independent Film Festival Theater for one year.
Thursday, February 14, 2013
Monday, February 11, 2013
10. Oscar Nominated Documentary Shorts
SIFF has been showing screening of all of the Academy Award Nominated Short Format Documentaries all week, and I went to see them on Sunday!
I really, really love documentaries. Even when they aren't particularly well-done, I have to admit that I still enjoy watching them. It made for a really fantastic afternoon to sit through 5 superb documentaries. I didn't realize that the short format category included movies that were up to 40 minutes long. I was thinking that they'd be more in the 10-20 minute range. Nope! It was a Long. Ass. Screening.
So, for those of you who are placing Oscar bets with your friends, here are my thoughts about the nominees:
1. Kings Point
I really, really love documentaries. Even when they aren't particularly well-done, I have to admit that I still enjoy watching them. It made for a really fantastic afternoon to sit through 5 superb documentaries. I didn't realize that the short format category included movies that were up to 40 minutes long. I was thinking that they'd be more in the 10-20 minute range. Nope! It was a Long. Ass. Screening.
So, for those of you who are placing Oscar bets with your friends, here are my thoughts about the nominees:
1. Kings Point
Sari Gilman and Jedd Wider
This documentary told the story of several residents of the Kings Point senior apartments in Florida. Hilarious stories were told of love, dating, loss and survival among these aging former New Yorkers. This movie made me think deeply about the fragile unpredictability and life, and our need for our fellow human beings. It was truly moving and had some really great laughs. This is my choice as runner up for the Oscar. It could easily win, and would totally deserve it. It was really excellent.
Cynthia Wade and Robin Honan
I call this movie "The One We Cried All The Way Through." It is an astonishingly intimate portrait of women with breast cancer who participate in a day of beauty that the Racine salon provides for women with cancer. With none of the "fighting disease" rhetoric that usually accompanies movies about women with cancer, this short showed the vulnerability and emotional complexity of a women's sense of self. This movie showed all of the women involved as whole humans struggling with their mortality and their relationships with others. It was truly moving. This is my pick for the Oscar.
3. Inocente
Sean Fine and Andrea Nix Fine
This was a slick, touching portrait of Teen Artist Inocente, who also happens to be homeless. Highlighting the A.R.T.S. program in San Diego, and shining a light on the issue of child homelessness in the US, this documentary short was hopeful, inspiring, and at times heartbreaking. Clearly aimed at an MTV audience, this short felt like it was the most commercial of the nominees.
4. Redemption
Jon Alpert and Matthew O'Neill
This movie is a look into the world of unemployed New Yorkers who have taken up bottle and can collection as full-time work. Following around several "canners" ranging from those you may perceive as "typical," to an elderly Jewish Woman retired from the Computer Programming industry, this movie looks at how the recession has trickled down, leaving those who were unstably employed to fend for themselves a bottle or can at a time. One thing I really liked about this movie was that it showed a nice cultural cross section of people. There was a white male, a Jamaican male, a Jewish-american female, a man from Egypt, a woman from China, a man from Japan, a woman from Vietnam, a man from Cuba, a family from Guatemala, and several others. It really showed the melting pot in action (sometimes the cultures clashed in a positive way, and sometimes they did not!), and it showed how the economy really impacts those already on the fringes of society. This is the wild-card pick for the Oscar. It was less emotionally-driven than the other shorts, but with the Economy being such a hot-button political issue right now, this one might sneak in and steal it.
5. Open Heart
Kief Davidson and Cori Shepherd Stern
This movie was about 8 Rwandan children with Rheumatic Heart Disease traveling to a medical center in Sudan for free heart surgery. Under a backdrop of a part of the world that I think Americans find to be frightening, this movie showed average Rwandans dealing with the stress of having a sick family member, or friend. Frustrations about hospital funding came out, and we even got to see a scene with Sudanese President and accused genocide engineer Omar Al-Bashir in a meeting discussing possible avenues for funding of the free hospital.
People who throw around snide comments about their "first world problems" (Which is a GIANT pet-peeve of mine) should watch more movies like this. People have all different kinds of problems, regardless of their location on earth. And just because some people have kinged themselves as the "first" world, doesn't mean that people in underdeveloped countries don't also have complex thoughts about problems, small or large. We all go through similar fears and worries when we or our family members are sick. Watching this movie after having just seen stories of illness and mortality in more developed parts of the world was a nice highlight of how much we all have in common. The diseases were different, but the humanity was the same.
Overall, these movies were outstanding. I highly recommend watching all of them if you get the chance.
Peggy's Rating: Five out of Five stars!
Sunday, February 10, 2013
Beasts of the Southern Wild
Especially as Behn Zeitlin's directorial debut, this movie is pretty impressive.
It is, however, a giant bummer.
It starts out sad. It gets sadder. Then a different kind of sad. Then depressing. Then sad again. And the ending... well, I won't spoil it for you, but it doesn't really disrupt the pattern. However, it focuses on a (very) young girl's attempt to maintain a sense of self and personal safety amid being thrown in a giant bucket full of bummers.
The lead actress, Quvenzhane Wallis, is nominated for the Best Actress Oscar. I think that's fine. I think she was really perfect for the role, but I wasn't blown away by her. She played a better 6 year old than I could have, but... you know... she was actually 6. So... yeah.
She probably also played a better 6 year old than most people could have when they were 6. And, I really think that the Best Actress category is the weakest it has been in several years, so she just might win. The novelty of having someone so young in such a good movie will probably override the fact that the effectiveness of her role was probably more about excellent directing and editing than anything else.
I guess I'm just not that into kids doing stuff. I can't be a fan of someone who doesn't grow armpit hair. I always kind of feel bad for them, because I assume that they are all being treated like trained chimpanzees.
Ugh.
And I bet she's out doing the late-night circuit, being precocious.
Barf.
Even my mental image of that is obnoxious.
She was fine, though. I wouldn't mind it if she won. I just have a hunch that if you sat down and had a conversation with her, she wouldn't be able to tell you anything meaningful about what the movie was about without any coaching.
However, the person pulling a HUGE amount of the acting load in this movie, but who has been almost totally overlooked, is Dwight Henry as Hushpuppy's totally batshit crazy dad. He embodies the title of this movie, and yet was really quite touching, noble, deeply flawed, and possibly psychotic all at the same time. I liked (and appropriately hated) him.
I think you should check out this movie. First of all, it's only $3.99 on Amazon. Even I can afford that!
Secondly, we could all use a good cry right now. Right? Right.
And lastly, it will make you feel better about your housekeeping abilities, because even though you think you live in a big pile of trash... these people ACTUALLY live in big piles of trash. It's good to get some perspective about our lifestyles of excess every once in awhile.
Peggy's rating: Four out of Five Stars
Monday, February 4, 2013
Zero Dark Thirty
Well, as the saying goes... Boyfriends come and go, but my free movie pass lasts until December 31, 2013...
That having been said, I chose to celebrate my newfound freedom by purchasing a movie for once!
There are only three movies that are nominated for the Best Picture Oscar this year that I still needed to see, and now there are just two, because I just saw Zero Dark Thirty.
And yes, my friend already pointed out to me that this is an odd post-break-up movie to take yourself to...
Maybe I just have a lot of issues.
But, two very important words made me really interested in seeing this movie: CHRIS PRATT.
Ahhh... he's so beautiful. And charming. And beautiful. And he got super ripped for this movie.
However (Spoiler alert), he didn't show up in this movie for TWO DAMN HOURS.
Seriously? Two hours.
So, basically, for me, this movie was me sitting around watching people get tortured and humiliated for two hours, and then about 20-30 minutes of awesomeness.
I must admit that I also wasn't a huge fan of The Hurt Locker, Kathryn Bigelow's last movie. I remember feeling similarly un-enchanted by the characters and storyline.
I wonder if it's an aversion to movies about very recent current political/war events. Because I also didn't care for W, or Game Change. And it's not about politics or war, but I have almost ZERO interest in seeing the Ashton Kutcher movie about Steve Jobs that's coming out. Ugh. That looks horrible. But I think that's more about Kutcher than anything else.
I think it's possible that we don't have enough perspective on these very recent events to be able to make the kind of movies I want to see about them.
Anyway, Zero Dark Thirty was not for me. It had a decent script, believable performances, and a really gripping final 20 minutes, but overall, I found myself checking my phone. And, it was thoroughly humorless. There were a few attempts at lightening the mood, which all failed miserably. And yes, I realize that humor is a strange thing to ask for in this movie, but I just can't deal with stories that are that IMPORTANT. Please, I beg you to give us someone to root for, and something to laugh at just a little bit.
But, now that I'm thinking about it. Maybe this was the perfect movie to watch after being dumped like an old bag of garbage. At least I'm not tied to a wall in Gitmo, shitting up my pants and being waterboarded. Suddenly I feel like the luckiest girl in town.
But for the rest of you, if you need a Chris Pratt fix, like I did, maybe just rent Moneyball, or watch Season 2 of Parks & Rec.
Peggy's rating: Two out of five stars
That having been said, I chose to celebrate my newfound freedom by purchasing a movie for once!
There are only three movies that are nominated for the Best Picture Oscar this year that I still needed to see, and now there are just two, because I just saw Zero Dark Thirty.
And yes, my friend already pointed out to me that this is an odd post-break-up movie to take yourself to...
Maybe I just have a lot of issues.
But, two very important words made me really interested in seeing this movie: CHRIS PRATT.
Ahhh... he's so beautiful. And charming. And beautiful. And he got super ripped for this movie.
However (Spoiler alert), he didn't show up in this movie for TWO DAMN HOURS.
Seriously? Two hours.
So, basically, for me, this movie was me sitting around watching people get tortured and humiliated for two hours, and then about 20-30 minutes of awesomeness.
I must admit that I also wasn't a huge fan of The Hurt Locker, Kathryn Bigelow's last movie. I remember feeling similarly un-enchanted by the characters and storyline.
I wonder if it's an aversion to movies about very recent current political/war events. Because I also didn't care for W, or Game Change. And it's not about politics or war, but I have almost ZERO interest in seeing the Ashton Kutcher movie about Steve Jobs that's coming out. Ugh. That looks horrible. But I think that's more about Kutcher than anything else.
I think it's possible that we don't have enough perspective on these very recent events to be able to make the kind of movies I want to see about them.
Anyway, Zero Dark Thirty was not for me. It had a decent script, believable performances, and a really gripping final 20 minutes, but overall, I found myself checking my phone. And, it was thoroughly humorless. There were a few attempts at lightening the mood, which all failed miserably. And yes, I realize that humor is a strange thing to ask for in this movie, but I just can't deal with stories that are that IMPORTANT. Please, I beg you to give us someone to root for, and something to laugh at just a little bit.
But, now that I'm thinking about it. Maybe this was the perfect movie to watch after being dumped like an old bag of garbage. At least I'm not tied to a wall in Gitmo, shitting up my pants and being waterboarded. Suddenly I feel like the luckiest girl in town.
But for the rest of you, if you need a Chris Pratt fix, like I did, maybe just rent Moneyball, or watch Season 2 of Parks & Rec.
Peggy's rating: Two out of five stars
Tuesday, January 29, 2013
Netflix Suggestion of the Week: 5 Movies about Mental Illness
Since I have seen so many movies this week dealing with mental illness in one way or another, I decided to put together my top 5 movies currently available on Netflix Streaming dealing with mental illness.
I tried to include those that I think make meaningful statements about the mental illness, possible causes (many narrative accounts of mental illness misplace the blame, such as in movies about people with Schizophrenia that blame mothers, when we know that Schizophrenia is a biological disorder,) the mental illness's effects on the person's family, personal relationships, and enjoyment of life.
We used to do exercises in Grad School where we'd watch a movie and write a diagnosis and treatment plan for one of the mentally ill characters. It was actually pretty fun. I still do it informally from time to time.
MAN, I'm boring today. I just had a really tough workout, and I'm exhausted. Maybe the funny part of my brain is sleeping. And, also, this has so much to do with my profession that I tend to slip into social-work-speak.
Here's the list. You can go watch them all right now!
1. Mary and Max
This animated movie sat on my queue for about three years before I actually got around to seeing it. The description and poster don't make it look very interesting, but it is an absolute joy to watch. A man with Asperger's Syndrome finds a meaningful relationship and avenue for personal exploration and growth through a pen-pal relationship with a little girl who lives halfway across the world. It's funny and touching and makes an important statement about why we shouldn't jump toward trying to "fix" people with what we have labeled "disabilities." It's a really empowering story, and the animation is adorable.
2. Punch-Drunk Love
This is a very polarizing movie. I know many people who love it and many more who hate it. I think the reason is that the director tells the story of a man who is pushed to the edge of his anxiety through pushing the audience's anxiety in small ways. Brilliant soundtrack. Brilliant acting. It's also frustrating to watch, and forces the audience to become uncomfortable. I adore it.
3. The Hours
This movie is a patient, emotional story of three women from different eras, each dealing with depression in a different context. Famously, Virginia Woolf suffered from a cluster of mental health issues, ultimately resulting in her suicide. This movie is more of a bummer than most that I would suggest, but it's really haunting and poetic in its storytelling. All of the performances are world-class, and no one should not see it. Plus, I think it raises some interesting issues about how the way we think about depression, especially among women, has changed over time in some ways, but in other ways, it has stayed the same.
4. The Machinist
I think everyone should watch this movie, just to see the freak-show-esque images of an emaciated Christian Bale. This movie deals with the effects of acute trauma on mental health. It's quite upsetting at moments, and has a number of really great plot twists. This is Christian Bale at his best.
5. Lars and the Real Girl
This movie made a lot of noise for an indie a few years ago. It's the story of a man (played by the devastatingly adorable Ryan Gosling) who falls in love with a life-size sex doll. It's quirky, and has great moments. It also shines a light on the role of families and friends in helping people with mental illnesses.
There are a few other movies of note that I recommend for those of you who don't limit your viewing only to what's available on netflix. If you get a chance, you should definitely check these out:
6. What About Bob?
7. The Cable Guy
8. The Talented Mr. Ripley
9. Shine
10. The Soloist
I tried to include those that I think make meaningful statements about the mental illness, possible causes (many narrative accounts of mental illness misplace the blame, such as in movies about people with Schizophrenia that blame mothers, when we know that Schizophrenia is a biological disorder,) the mental illness's effects on the person's family, personal relationships, and enjoyment of life.
We used to do exercises in Grad School where we'd watch a movie and write a diagnosis and treatment plan for one of the mentally ill characters. It was actually pretty fun. I still do it informally from time to time.
MAN, I'm boring today. I just had a really tough workout, and I'm exhausted. Maybe the funny part of my brain is sleeping. And, also, this has so much to do with my profession that I tend to slip into social-work-speak.
Here's the list. You can go watch them all right now!
1. Mary and Max
This animated movie sat on my queue for about three years before I actually got around to seeing it. The description and poster don't make it look very interesting, but it is an absolute joy to watch. A man with Asperger's Syndrome finds a meaningful relationship and avenue for personal exploration and growth through a pen-pal relationship with a little girl who lives halfway across the world. It's funny and touching and makes an important statement about why we shouldn't jump toward trying to "fix" people with what we have labeled "disabilities." It's a really empowering story, and the animation is adorable.
2. Punch-Drunk Love
This is a very polarizing movie. I know many people who love it and many more who hate it. I think the reason is that the director tells the story of a man who is pushed to the edge of his anxiety through pushing the audience's anxiety in small ways. Brilliant soundtrack. Brilliant acting. It's also frustrating to watch, and forces the audience to become uncomfortable. I adore it.
3. The Hours
This movie is a patient, emotional story of three women from different eras, each dealing with depression in a different context. Famously, Virginia Woolf suffered from a cluster of mental health issues, ultimately resulting in her suicide. This movie is more of a bummer than most that I would suggest, but it's really haunting and poetic in its storytelling. All of the performances are world-class, and no one should not see it. Plus, I think it raises some interesting issues about how the way we think about depression, especially among women, has changed over time in some ways, but in other ways, it has stayed the same.
4. The Machinist
I think everyone should watch this movie, just to see the freak-show-esque images of an emaciated Christian Bale. This movie deals with the effects of acute trauma on mental health. It's quite upsetting at moments, and has a number of really great plot twists. This is Christian Bale at his best.
5. Lars and the Real Girl
This movie made a lot of noise for an indie a few years ago. It's the story of a man (played by the devastatingly adorable Ryan Gosling) who falls in love with a life-size sex doll. It's quirky, and has great moments. It also shines a light on the role of families and friends in helping people with mental illnesses.
There are a few other movies of note that I recommend for those of you who don't limit your viewing only to what's available on netflix. If you get a chance, you should definitely check these out:
6. What About Bob?
7. The Cable Guy
8. The Talented Mr. Ripley
9. Shine
10. The Soloist
Monday, January 28, 2013
9: Love, Marilyn
The final movie I saw this weekend was the Documentary "Love, Marilyn." I'm really bummed about missing Ginger & Rosa, which was in its last screening this evening, but I ended up getting called away at the last minute, and missed it. Sad times.
Love, Marilyn was a re-telling of the Marilyn Monroe story, this time through personal journals, letters, and poetry that were recently unearthed. Well-known actors performing Marilyn's writings as monologues were interspersed with interviews with close friends and photos and video of Marilyn while she was alive.
Honestly, I haven't ever been that interested in Marilyn Monroe. She did a few great movies, and was really stunning, but I have always thought of her as being pretty dull. However, I ended up really liking this movie. I didn't realize how much I didn't know about M.M. It feels like her story is part of our zeitgeist, but there were a bunch of details that I enjoyed hearing about.
For example, I did not know that she had attempted suicide, and was put in a psychiatric hospital for six days and left against medical advice not too long before she died.
That's so upsetting to me.
A few people in the audience scoffed when a statement was read that was put out by the psychiatric hospital after her death, stating that if she had been allowed to stay there, she may not have died. And, you know, there is some speculation about whether her death was a suicide or accidental overdose, but either way, I wonder. I think the scoffing was at the idea that someone like Marilyn Monroe would be subjected to a psychiatric hospital. I think that's sad. She was suicidal and on narcotics. It's not glamorous, but that's where she would get help for those things. She clearly wasn't getting the kind of help she needed elsewhere.
There was a weird undertone of a romanticizing of her death in this movie. It was really frustrating for me, because I think people don't think of her as having been a real person. And in some ways, it seems like we expect young beautiful women to either die or disappear before they become old and no longer of use to the general public. That really kind of rages me out.
I would like to have seen her old, crazy, chain-smoking and slowly growing mold in her palatial estate. Receiving the Cecil B. Demille award, or popping up as a cameo in an episode of the Nanny. But, that's probably just me.
My biggest problem with the presentation in this movie was the monologue aspect. There were about 15 actors that read parts as either Marilyn or other key figures, but only 3 of the monologists were watchable, in my opinion. The rest were uncomfortable, in that they were TRYING SO HARD to act.
At one point, Lili Taylor gave a dramatic, anxiety-filled reading of Marilyn's recipe for cooking a turkey.
NO JOKE. It was embarrassing to watch.
The good performances were pulled off mostly by the actors reading the non-Marilyn roles, such as Oliver Platt, Paul Giamatti, and Ben Foster. The reason for that seems really obvious to me. Marilyn was writing in a journal, and that style of writing really doesn't translate to dramatic monologue very well. Also, monologues are like watching someone go poop: There's a chance it will be good, but usually it just stinks. (Ba-da-BING!)
Having said that, Glenn Close killed it as Marilyn. They should have just let her do the whole thing.
Some of the more disastrous Marilyns included Lindsey Lohan (in HORRIFYING bleached out hair and prostitute makeup), Marisa Tomei, and Uma Thurman.
A small bit of tension was relieved during the end credits, when they showed outtakes from the monologist's more embarrassing attempts at delivering their lines. However, that was too little, too late.
It's unfortunate, too, because if I had been watching this at home, I never would have made it past the first 20 minutes, which were the most monologue-filled. The second half of the movie is where all the good stuff is hiding.
I recommend this movie if you're a die-hard Marilyn Monroe fan, or if you have Netflix Streaming in about six months, because I'm sure it will end up on there.
Peggy's Rating: Three out of Five Stars.
Love, Marilyn was a re-telling of the Marilyn Monroe story, this time through personal journals, letters, and poetry that were recently unearthed. Well-known actors performing Marilyn's writings as monologues were interspersed with interviews with close friends and photos and video of Marilyn while she was alive.
Honestly, I haven't ever been that interested in Marilyn Monroe. She did a few great movies, and was really stunning, but I have always thought of her as being pretty dull. However, I ended up really liking this movie. I didn't realize how much I didn't know about M.M. It feels like her story is part of our zeitgeist, but there were a bunch of details that I enjoyed hearing about.
For example, I did not know that she had attempted suicide, and was put in a psychiatric hospital for six days and left against medical advice not too long before she died.
That's so upsetting to me.
A few people in the audience scoffed when a statement was read that was put out by the psychiatric hospital after her death, stating that if she had been allowed to stay there, she may not have died. And, you know, there is some speculation about whether her death was a suicide or accidental overdose, but either way, I wonder. I think the scoffing was at the idea that someone like Marilyn Monroe would be subjected to a psychiatric hospital. I think that's sad. She was suicidal and on narcotics. It's not glamorous, but that's where she would get help for those things. She clearly wasn't getting the kind of help she needed elsewhere.
There was a weird undertone of a romanticizing of her death in this movie. It was really frustrating for me, because I think people don't think of her as having been a real person. And in some ways, it seems like we expect young beautiful women to either die or disappear before they become old and no longer of use to the general public. That really kind of rages me out.
I would like to have seen her old, crazy, chain-smoking and slowly growing mold in her palatial estate. Receiving the Cecil B. Demille award, or popping up as a cameo in an episode of the Nanny. But, that's probably just me.
My biggest problem with the presentation in this movie was the monologue aspect. There were about 15 actors that read parts as either Marilyn or other key figures, but only 3 of the monologists were watchable, in my opinion. The rest were uncomfortable, in that they were TRYING SO HARD to act.
At one point, Lili Taylor gave a dramatic, anxiety-filled reading of Marilyn's recipe for cooking a turkey.
NO JOKE. It was embarrassing to watch.
The good performances were pulled off mostly by the actors reading the non-Marilyn roles, such as Oliver Platt, Paul Giamatti, and Ben Foster. The reason for that seems really obvious to me. Marilyn was writing in a journal, and that style of writing really doesn't translate to dramatic monologue very well. Also, monologues are like watching someone go poop: There's a chance it will be good, but usually it just stinks. (Ba-da-BING!)
Having said that, Glenn Close killed it as Marilyn. They should have just let her do the whole thing.
Some of the more disastrous Marilyns included Lindsey Lohan (in HORRIFYING bleached out hair and prostitute makeup), Marisa Tomei, and Uma Thurman.
A small bit of tension was relieved during the end credits, when they showed outtakes from the monologist's more embarrassing attempts at delivering their lines. However, that was too little, too late.
It's unfortunate, too, because if I had been watching this at home, I never would have made it past the first 20 minutes, which were the most monologue-filled. The second half of the movie is where all the good stuff is hiding.
I recommend this movie if you're a die-hard Marilyn Monroe fan, or if you have Netflix Streaming in about six months, because I'm sure it will end up on there.
Peggy's Rating: Three out of Five Stars.
Sunday, January 27, 2013
8: Women in Cinema SHORTS!
Isn't it the perfect time of year for short films? I don't know why that is.
Maybe it's that the Oscars remind us all that shorts even still exist...
Ranging from boring to confusing to exceptional, the Women in Cinema Shorts reel was pretty standard in terms of selection. That's not really a bad thing. I've just come to have specific expectations for these kinds of showcases.
The first film was "Spark," a touching story of two children who meet and share a special moment, with foreshadowing of adulthood looming in the background. Really, really fantastic.
The second film (Night Hunter) was weird, and I have no clue what was going on. That is the perfect spot to stick something weird that no-one will remember anything about, except that it was weird. It was a bizarre animation that included some footage of an old actress, and a bunch of shit that was cacophonous and jarring.
The Pompous Man sitting behind me loved it. Before the screening, he made a long series of condescending remarks to his female companion. She mentioned that she was going to plan some kind of trip to India, and then he berated her for referring to India generally, instead of regionally. "It's a big place, you know."
Why this woman goes anywhere with that man is beyond me. I felt like telling him to hit the bricks on behalf of humankind.
You know what you're supposed to say when someone tells you they are planning a trip to India? You say, "That's great! I'm so happy for you."
Anyway, Pompous was impressed. "Interesting," he whispered in the dark.
What a douche.
The third film (A Cuillin Rising) was really interesting and upsetting, but I really have no clue what was going on. It was much, much too vague. I got the general sense that there was some family unrest, and maybe a Romeo & Juliet kind of thing going on. But for reals... I didn't get it. It did, however, make me want to watch a feature-length version of it, provided that said version would make sense in some way.
I think number four was Zing. A SUPER CUTE animated short. I loved it. It was bizarre and dark, but had optimism smeared all over it. Plus, it had a weird-looking old dude, and a tiny heart-warming, but precocious kid with a cat. How can you go wrong? Loved it!
Number five was "Us, a Family Album." This one was strange, because I got the sense that it was supposed to be a documentary, but all the scenes looked staged. It also had the misfortune of basically being the exact same idea as this viral video, only much less well done. Sad for them. But, if it was a real couple, then good for them. We all love gay people in Seattle. In fact, it almost seemed like a non-twist to me. Maybe it came out 10 years too late.
Number six was a really sweet, beautifully shot movie called "The Fisherman" out of Mexico. A touching allegory about life and death, passing time, love, and memories. Really excellent.
And finally... (I think... You know, these might all be out of order. It's a mystery.) The Tram. AH! I loved the Tram. It was the story of a busty, shy, horny female tram driver having an erotic fantasy while driving rigid, humorless men to work. SO FUN. Lots of overt sexuality and super cute animation. Plus, a really sweet ending. It was my favorite of the bunch.
So, there you have it. Most likely, none of you will see any of these shorts. But, if you get a chance, go see a short film showcase. Usually there's one weird one, one stinker, and several that are really great. That's better than your odds at most feature length films!
Peggy's rating: Four out of Five stars.
Maybe it's that the Oscars remind us all that shorts even still exist...
Ranging from boring to confusing to exceptional, the Women in Cinema Shorts reel was pretty standard in terms of selection. That's not really a bad thing. I've just come to have specific expectations for these kinds of showcases.
The first film was "Spark," a touching story of two children who meet and share a special moment, with foreshadowing of adulthood looming in the background. Really, really fantastic.
The second film (Night Hunter) was weird, and I have no clue what was going on. That is the perfect spot to stick something weird that no-one will remember anything about, except that it was weird. It was a bizarre animation that included some footage of an old actress, and a bunch of shit that was cacophonous and jarring.
The Pompous Man sitting behind me loved it. Before the screening, he made a long series of condescending remarks to his female companion. She mentioned that she was going to plan some kind of trip to India, and then he berated her for referring to India generally, instead of regionally. "It's a big place, you know."
Why this woman goes anywhere with that man is beyond me. I felt like telling him to hit the bricks on behalf of humankind.
You know what you're supposed to say when someone tells you they are planning a trip to India? You say, "That's great! I'm so happy for you."
Anyway, Pompous was impressed. "Interesting," he whispered in the dark.
What a douche.
The third film (A Cuillin Rising) was really interesting and upsetting, but I really have no clue what was going on. It was much, much too vague. I got the general sense that there was some family unrest, and maybe a Romeo & Juliet kind of thing going on. But for reals... I didn't get it. It did, however, make me want to watch a feature-length version of it, provided that said version would make sense in some way.
I think number four was Zing. A SUPER CUTE animated short. I loved it. It was bizarre and dark, but had optimism smeared all over it. Plus, it had a weird-looking old dude, and a tiny heart-warming, but precocious kid with a cat. How can you go wrong? Loved it!
Number five was "Us, a Family Album." This one was strange, because I got the sense that it was supposed to be a documentary, but all the scenes looked staged. It also had the misfortune of basically being the exact same idea as this viral video, only much less well done. Sad for them. But, if it was a real couple, then good for them. We all love gay people in Seattle. In fact, it almost seemed like a non-twist to me. Maybe it came out 10 years too late.
Number six was a really sweet, beautifully shot movie called "The Fisherman" out of Mexico. A touching allegory about life and death, passing time, love, and memories. Really excellent.
And finally... (I think... You know, these might all be out of order. It's a mystery.) The Tram. AH! I loved the Tram. It was the story of a busty, shy, horny female tram driver having an erotic fantasy while driving rigid, humorless men to work. SO FUN. Lots of overt sexuality and super cute animation. Plus, a really sweet ending. It was my favorite of the bunch.
So, there you have it. Most likely, none of you will see any of these shorts. But, if you get a chance, go see a short film showcase. Usually there's one weird one, one stinker, and several that are really great. That's better than your odds at most feature length films!
Peggy's rating: Four out of Five stars.
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